“In this painting, we join the goat farmer as he takes a break from his daily routine to just sit on his tractor and admire his other goats. A smile crosses his face. For a brief moment he's taken back. A spring shower has just passed, leaving behind 'nature's clearcoat.' In the cascading sunlight, the paint glimmers and the GTOs look almost showroom new!"- MICHAEL IRVINE
Warning: Almost Sold Out
Availability date:
"The Goat Farmer"
“In this painting, we join the goat farmer as he takes a break from his daily routine to just sit on his tractor and admire his other goats. A smile crosses his face. For a brief moment he's taken back. A spring shower has just passed, leaving behind 'nature's clearcoat.' In the cascading sunlight, the paint glimmers and the GTOs look almost showroom new!"- MICHAEL IRVINE
Recipient :
* Required fields
or Cancel
Most all automotive enthusiasts have, at some time, probably had a car or two they had every intention of restoring, just never got around to it. But even as the car just sits there, no matter what shape it's in, they still enjoy looking at it ... glad to have that 'diamond in the rough' in their collection!
"The Goat Farmer" is the 5th painting in Michael's Muscle Car Landscape Series. The setting and story were inspired by the GTO's nickname and by the people who hang on to their car collections, no matter what. Some hope to restore them eventually, while others are content to watch nature take it's toll.
No matter what kind of collector you are or the condition of the cars, we all have one thing in common ... we love muscle cars and sometimes, we take pleasure in just looking at them!
Considered by many to be the first muscle car built, this painting is the ultimate tribute to one of history's most trend setting automobiles. From the legendary Tri-power of the '66 GTO to the tire-scorching might of the 400 ci Ram Air IV equipped Judge, this gathering of goats contains some of the most memorable high-performance Pontiacs ever created.
ABOUT MICHAEL IRVINE'S REPRODUCTIONS | All reproductions are individually hand-signed/hand-numbered by artist Michael Irvine • Accompanied by signed/numbered Certificate(s) of Authenticity • Limited Edition Prints and Artist Proofs are embossed with Michael's Studio Seal. |
Limited Edition Print | 22" x 28" - Limited to 800. (Image size 18" x 24") 10pt satin finish, acid free, museum quality archival paper. Choice of available print number. Indicate top 2-3 choices below (eg #200/800). Last 3 digits of VIN numbers are popular. |
Artist Proof with Single Custom Done-to-Order Remarque | 22" x 28" - Only 20 total APs released. (Image size 18" x 24") 10pt satin finish, acid free, museum quality archival paper. Remarque is "custom, done-to-order" in pencil or painted in watercolor (your choice). Call/email Linda to discuss your Remarque. |
Artist Proof with Double Custom Done-to-Order Remarques | 22" x 28" - Only 20 total APs released. (Image size 18" x 24") 10pt satin finish, acid free, museum quality archival paper. Remarques are "custom, done-to-order" in pencil or painted in watercolor (your choice). Call/email Linda to discuss your Remarques. |
Gallery Edition Canvas (All the detail—twice the size!) | 36" x 48" - Limited to 50. Heavy weight, acid free, archival quality canvas. Specialty coating (see About Our Reproductions). North American orders are shipped stretched (gallery wrapped) & ready to hang. Int'l orders shipped rolled. |
Personalized, Hand-Retouched Gallery Edition Artist Proof on Canvas | 36" x 48" - Only 5 APs released. Call/email Linda to discuss custom retouch options. Same canvas/coating as Gallery Edition Canvas (above). North American orders are shipped stretched (gallery wrapped) & ready to hang. Int'l orders shipped rolled. |
Original Watercolor Painting(s) | Contact the Studio. |
* required fields