"I’ve always liked the idea of adding a gasoline tanker as the primary reflective surface in one of my paintings. The way the tanker’s shape compressed the reflections presented an interesting challenge, that I couldn’t resist. The reflections in the dual tanks of the truck, allow you to view the scene from different perspectives. It’s as if you are standing in a new spot in each reflection. This lets you get a better understanding of the scene — a sort of, 360o view! What I like, is that the reflections allow you to see more than just the obvious scene in front of you. Like, you don’t really notice the service station, until you look more closely at the reflection in the tanker."- MICHAEL IRVINE
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"Feeding Frenzy"
"I’ve always liked the idea of adding a gasoline tanker as the primary reflective surface in one of my paintings. The way the tanker’s shape compressed the reflections presented an interesting challenge, that I couldn’t resist. The reflections in the dual tanks of the truck, allow you to view the scene from different perspectives. It’s as if you are standing in a new spot in each reflection. This lets you get a better understanding of the scene — a sort of, 360o view! What I like, is that the reflections allow you to see more than just the obvious scene in front of you. Like, you don’t really notice the service station, until you look more closely at the reflection in the tanker."- MICHAEL IRVINE
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It’s the early ‘70s and a summer storm has just passed, leaving in it’s wake a service station doing a booming business. Now that the driver of the dual tanker truck has done his job, the Cudas are circling—eager to fill their tanks!
The gleaming tanker truck, puddles left behind by the rain, and the body panels of these powerful 1970-74 E-Body Cudas, are the perfect mirrors to capture the amazing reflections. Drawing you in, the subtle details and incredible images tell the whole story.
[ Featured on the cover of Mopar Collectors Guide. ]
ABOUT MICHAEL IRVINE'S REPRODUCTIONS | All reproductions are individually hand-signed/hand-numbered by artist Michael Irvine • Accompanied by signed/numbered Certificate(s) of Authenticity • Limited Edition Prints and Artist Proofs are embossed with Michael's Studio Seal. |
Limited Edition Print | 36" x 24" - Limited to 800. (Image size 32" x 20") 10pt satin finish, acid free, museum quality stock. Choice of available print number. Indicate top 2-3 choices below (eg #200/800). Last 3 digits of VIN numbers are popular. |
Artist Proof with Single Custom Done-to-Order Remarque | 36" x 24" - Only 20 total APs released. (Image size 32" x 20") 10pt satin finish, acid free, museum quality stock. Remarque is "custom, done-to-order" in pencil or painted in watercolor (your choice). Call/email Linda to discuss your Remarque. |
Artist Proof with Double Custom Done-to-Order Remarques | 36" x 24" - Only 20 total APs released. (Image size 32" x 20") 10pt satin finish, acid free, museum quality stock. Remarques are "custom, done-to-order" in pencil or painted in watercolor (your choice). Call/email Linda to discuss your Remarques. |
Gallery Edition Canvas (All the detail—twice the size!) | 58" x 36" - Limited to 50. Heavy weight, acid free, archival quality canvas. Specialty coating (see About Our Reproductions). North American orders are shipped stretched (gallery wrapped) & ready to hang. Int'l orders shipped rolled. |
Personalized, Hand-Retouched Gallery Edition Artist Proof on Canvas | 58" x 36" - Only 5 APs released. Call/email Linda to discuss custom re-touch options. Same canvas/coating as Gallery Edition Canvas (above). North American orders are shipped stretched (gallery wrapped) & ready to hang. Int'l orders shipped rolled. |
Original Watercolor Painting(s) | Sold. |
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